Death and the devil, nudity and eroticism, horror in blazing colours, Gothic art cast a spell over people 500 years ago. In these image-poor times, art deliberately and skilfully played with the emotions of the viewer, triggering fear, devotion, but also rapture. Art documentary on German gothic art of the late-middle ages.

暂无剧情简介

A group of brave and committed musicians take on an 80 year curse in an attempt to stage one of the longest, largest and most technically difficult symphonies ever composed.

The Face of a Genius is a 1966 American documentary film about Eugene O’Neill, produced by Alfred R. Kelman for WBZ-TV Boston. It was nominated for an Academy Award for Best Documentary Feature, the first time that a film originally produced for television was recognized by the Academy as a nominee for Best Documentary Feature.

The Genius of Charles Darwin is a three-part television documentary, written and presented by evolutionary biologist Richard Dawkins. In the first episode Richard Dawkins explains the basic mechanisms of natural selection, and tells the story of how Charles Darwin developed his theory. He teaches a year 11 science class about evolution, which many of the students are reluctant to accept. He then takes them to the Jurassic Coast in Dorset to search for fossils, hoping that the students can see some of the evidence for themselves. Dawkins also visits Nairobi, where he interviews a prostitute who seems to have a genetic immunity to HIV, and talks to microbiologist Larry Gelmon. He goes on to predict that genetic immunity is a trait that will become more prevalent in the community over time. In the second episode Richard Dawkins deals with some of the philosophical and social ramifications of the theory of evolution. Dawkins starts out in Kenya, speaking with palaeontologist Richard Leakey. He then visits Christ is the Answer Ministries, Kenya’s largest Pentecostal church, to interview Bishop Bonifes Adoyo. Adoyo has led the movement to press the National Museums of Kenya to sideline its collection of hominid bones pointing to man’s evolution from ape to human. The collection includes the Turkana Boy discovered by Kamoya Kimeu, a member of a team led by Richard Leakey in 1984. Dawkins discusses social Darwinism and eugenics, explaining how these are not versions of natural selection, and that “Darwin has been wrongly tainted”. He then meets with evolutionary psychologist Steven Pinker to discuss how morals can be compatible with natural selection. He goes on to explaining sexual selection, with peafowls as an example. To find out whether sexual selection plays a role for altruism and kindness among humans, he visits women who are looking for sperm donors, as well as a sperm bank manager. Dawkins also explains kin selection and selfish genes. In the third and final episode, Dawkins explains why Darwin’s theory is one of history’s most controversial ideas. Dawkins uses this episode to discuss the opposition that evolution has experienced since it was first discovered. He starts by approaching various anti-evolutionists, ranging from John Mackay from Creation Research, Wendy Wright, President of Concerned Women for America, to English school teacher Nick Cowen. In order to address concerns they bring up, he shows the evidence for evolution, including fossil and DNA evidence. He also talks to the science students of the school he taught in during the first episode, asking them why they aren’t adequately teaching the ideas of science properly, instead allowing their students to believe that truth is personal and that science is merely a point of view. Dawkins also describes Darwin’s personal journey from Christianity to atheism, based not only on the natural mechanisms he saw, but also on the cruelty in the world which seemed to deny a loving God, in particular the loss of his daughter Annie. While Dawkins does address the bleakness of the Darwinian view, he spends the last part of this episode describing how Darwin and he himself address it, ending by saying: “In the perspective of the universe, the vastness of the universe and of geological time, we are insignificant. Some people find the thought disturbing, even frightening. Like Darwin, I find the reality thrilling.”

This documentary explores and celebrates the all-too-short, heartbreaking but triumphant life and unworldly talent of Lenny Breau, considered by many to have been the greatest guitar player of all time. Long before the term "fusion" was coined, Lenny was melting musical boundaries to produce original pieces that borrowed from styles as diverse as jazz, classical and flamenco. Through a combination of never-before-seen archival footage and interviews with family and colleagues, viewers are offered a close-up look at a sensitive, selfless but flawed musical genius who redefined what the guitar could do. - Telefilm Canada

David Walliams explores the magic behind the storytelling of Roald Dahl, one of the world's most successful children's authors, to try to understand the great writer's special touch and appeal.

Devran, a mathematical prodigy, has made a groundbreaking discovery in his doctoral thesis. He plans to go to U.S with his childhood love, Esme, after getting a university scholarship. However, the only person Devran wants to impress with this success is his father Iskender, who abandoned his family years ago. While protecting his family from Iskender, Devran struggles to stop his younger brother, Boran, from getting involved with their father, who already has plans for Boran. Devran’s plans have to change after Boran enters Iskender’s world.

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for transferring personalities from one person's body to another; he becomes obsessed with an outlaw artist (played by performance artist Karen Finley) who destroys paintings in various galleries as a form of anarchist, anticapitalist protest.

Medieval historian Dr Janina Ramirez looks back to a time when British craftsmen and their patrons created a new form of architecture. The art and architecture of France would dominate England for much of the medieval age. Yet British stonemasons and builders would make Gothic architecture their own, inventing a national style for the first time – Perpendicular Gothic – and giving Britain a patriotic backdrop to suit its new ambitions of chivalry and power. From a grand debut at Gloucester Cathedral to commemorate a murdered king to its final glorious flowering at King’s College Chapel in Cambridge, the Perpendicular age was Britain’s finest.